User manual SHURE M65 DATA SHEET

[. . . ] These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: · Reorient or relocate the receiving antenna. [. . . ] HINT: Each amp model's GAIN (adjusted by the top panel GAIN control) can be assigned to the expression pedal for control. For details on how to assign a parameter to the expression pedal, refer to "Assigning a function to the expression pedal (Quick Assign)" (p. 24). 1. CLEAN STD (Standard) This models the clean channel of a high-quality amp that was produced only on special order, and was known as the overdrive special. With a beautifully rounded low range, a sharp midrange attack, and a sweet treble register, this is ideal for single coil pickups. 13 3. US BLUES STD (Standard) This models a 4x10" combo amp from 1959 that was originally designed for bass guitar. Its smooth and crisp overdrive sound will respond sensitively to your picking dynamics and to the volume of your guitar. SPL (Special) This models the 22W Bruno Cowtipper Pro II 22 which owes its existence to a special friend of SHURE, the custom amp designer Tony Bruno. It responds with extreme sensitivity to your playing touch, and its silky-sweet clean tone will become a crunch sound rich in overtones when you turn up the volume. CST (Custom) This models a wood-finished 30W boutique amp head that cost more than $25, 000. It delivers sparkling glassy clean tones, and raising the gain will produce overdrive sounds that are startlingly sweet in a musical way. its rich overtones, sparkling clean tone, and great-sounding overdrive. CST (Custom) Based on a crunch-distortion amp, this original amp model changes the tone control to an active circuit that is more powerful than the conventional one, allowing a wide range of tones to be created. UK ROCK STD (Standard) This 45W amp head was originally manufactured from 1962 to 1966, and was based on a tweed-covered bass amp. Its high-gain design was the beginning of the British amp tone revolution that continues to this day. SPL (Special) This models a UK-manufactured 100W single-channel head with master volume made in 1983. Turn the GAIN control all the way up to get that thick, snarling hard rock and heavy metal sound that dominated the 80's. 9. US HIGH GAIN STD (Standard) This models a 100W boutique amp head manufactured in North Hollywood. This amp can be switched between power tube class AB or class A modes; the class AB mode used on the ToneLab ST produces rich overtones and highly musical response. 15 SPL (Special) This models the overdrive channel of a snakeskin-covered 100W amp head made in 1991. With an open low-end and a compressed mid/high range, its powerful and heavy sound delivers a forceful tone that will not break down even with the most extreme gain settings. CST (Custom) This is an original amp model based on a recent high-gain amp, but with the tone control changed to an active circuit that has a stronger effect than the conventional one, allowing a wide range of tones to be created. A wide range of settings are possible; you can raise the BASS to bring out the ultra-lows, or raise or lower the MIDDLE to obtain hot lead sounds or a "scooped" sound. sound. " This amp models features a high-gain sound that's ideal for the tapping performance technique. 11. BOUTIQUE METAL STD (Standard) This models the overdrive channel of a 100W high-quality amp that was produced only on special order, and known as the overdrive special. The wonderful sustain obtained by raising the GAIN control is smooth and soulful. SPL (Special) This models the crushing high-gain sound emanated from a German-made 100W four-channel amp head. [. . . ] Operating requirements Windows: Microsoft Windows XP SP3/Windows Vista SP1 or later Mac: OS X 10. 4 or later (Power PC G4 or more/Intel CPU) INPUT Effect USB The ToneLab ST's effects will not be applied to the audio input from the USB connector. Operating requirements Windows: Microsoft Windows XP SP3/Windows Vista SP1 or later Mac: OS X 10. 4 or later (Power PC G4 or more/Intel CPU) Transferring audio data If the ToneLab ST is connected to your computer via a USB cable, the ToneLab ST's effect output can be recorded directly into an audio track of your DAW software. You'll also be able to monitor the audio playback of your software via the ToneLab ST. 28 Restoring the factory settings Here's how to restore the ToneLab ST to its factory-set state. NOTE: This operation will initialize the programs you've saved, returning all of them to the factory-set programs. Troubleshooting Power is not applied when you turn the STANDBY switch on · Is the AC adapter connected to the rear panel DC12V jack? [. . . ]