User manual NAIM PREAMPS
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Manual abstract: user guide NAIM PREAMPS
Detailed instructions for use are in the User's Guide.
[. . . ] OWNERS
MANUAL
Preamplifiers
page
1
1. 0 Equipment Installation
2
3 4
1. 0 Equipment installation
Normally your Naim equipment will have been installed by the dealer who sold it to you even if you live outside their immediate vicinity. Your dealer is responsible for making sure that the system sounds exactly as it should and information given here is not intended to reduce this responsibility in any way.
5 8 12 15 18 20
1. 1 cables and connections 2. 0 Getting Started 2. 1 switching on and off 2. 2 running in 2. 3 mains supply 2. 4 siting the equipment 2. 5 if you have a problem 3. 0 Warnings 4. 0 Connection 4. 1 mains lead 4. 2 non-rewireable mains plugs 4. 3 fuse carrier 4. 4 plug fuses nac 52 nac 82 nac 102 nac 112 narcom 2 remote handset EC Declaration of Conformity to Appropriate Standards
1. 1 cables and connections
Please do not modify the standard interconnect cables supplied with your Naim equipment. One end of each cable is marked with a band to establish its correct orientation. Naim loudspeaker cable is correct for your system and your dealer will make up leads to suit your equipment installation. [. . . ] Slide the plug body over the assembly and tighten using the clamp nut.
trim braid to here 0. 5mm solder to cable before final asssembly 4mm plain rear gasket insulator front insulator plug body clamp nut ferrule male contact
7
nac 82 operation
power supplies
The nac 82 does not incorporate an internal power supply. It must be used in conjunction with either a naim power amplifier incorporating a preamp power supply or with a supercap, hi-cap or flatcap 2 power supply.
listening and recording
The input selector buttons are arranged along the uppermost bank of buttons. They control which source is to be routed to the power amplifier and the loudspeakers, for listening. Below them, in the lower bank, are a corresponding array of buttons which choose the source component to be routed to the preamplifier's recording outputs. One component (for example, the record player) can therefore be listened to whilst the output from another (say, the tuner) can be recorded onto a tape recorder. It is possible to lock the record controls and prevent accidental de-selection during recording. Record-lock is switched on or off by depressing the source mono button four times within six seconds.
mute and mono facilities
To the left of each bank of buttons there are two further buttons labelled mute and mono. These work independently: for example the mute button in the lower (recording) bank does not affect the signal that is chosen via the upper (source) buttons, and vice versa. Operating the mono button on the source bank will not affect the record circuits. To cancel that function press the button again.
preamplifier inputs
Input 1 is a high level input, but can be converted into a phono input by fitting plug in boards. Inputs 4, 5 and 6 are standard high level inputs and also have record output facilities, so these should be assigned to your tape recorder, cassette deck or VCR.
connecting to an active system
Please note, an additional separate power supply is required to power the snaxo crossover, i. e. three hi-caps for a system where two are already employed to power the nac82, or two supercaps where one is already employed for the preamplifier. For further information please refer to your dealer.
remote control
For operation of the nac 82 using the NARCOM 2 remote handset please see pages 18 and 19.
bnc plugs
For notes on wiring bnc plugs please see page 7.
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nac 82 front
inputs 1 2 3 4 5 6
source record
mute volume balance mono
nac 82 rear
high level inputs outputs 6 5 4 3 2 phono input 1
napsc
ch 1 left
ch 2 right phono ground inputs 3 & 2
nc nc
inputs 6, 5 & 4
ch1 ch2 ch 2 -ve
ch1
ch1 ch 2 -ve
Specifications
nac 82
Line input sensitivities Phono input options Moving Magnet N Moving Coil S Moving Coil K Moving Coil E Overload margin (all inputs, all audio frequencies) Main output level Tape output level Case size (H x W x D) 75mV, 100k 2mV, 47k 100µV, 470 100µV, 560 400µV, 560 40dB 0. 775V, <50 75mV, 600 76 x 430 x 300mm
9
nac 82 connection to one power amplifier with internal power supply
all link plugs fitted
to napsc to nap 140, 150, & 180 power amplifiers
note
The napsc power supply must be connected at all times to the nac 82.
nac 82 connection to one hi-cap (or flatcap 2)
link plug fitted link plug removed
to napsc
to nap 140, 150, 180 & 250 power amplifiers to nap 135 & 500 power amplifiers
mains input
10
nac 82 connection to two hi-caps (or flatcaps)
all link plugs removed
to napsc
mains input
to nap 135 & 500 power amplifiers
to nap 140, 150, 180 & 250 power amplifiers
mains input
note
If multiple power supplies are used to operate one preamplifier they must be of the same type. Sound quality will be severely impaired if power supplies are mixed.
cable direction marker
Interconnect Cables
4 to 4 pin DIN 5 to 5 pin DIN
nac 82 connection to supercap
all link plugs removed
to napsc
mains input
to nap 140, 150, 180 & 250 power amplifiers
to nap 135 & 500 power amplifiers
11
nac 102 operation
power supplies
The nac 102 does not incorporate an internal power supply. It must be used in conjunction with either a naim power amplifier incorporating a preamp power supply or with a supercap, hi-cap or flatcap 2 power supply.
preamplifier inputs
Inputs 1a, 2 and 3 are standard high level inputs. Inputs 4, 5 and 6 are standard high level inputs and also have record output facilities, so these should be assigned to your tape recorder, cassette deck or VCR.
tape facilities and monitor button
The tape monitor button (mon) allows you to listen to the output of a tape recorder while recording, which can be useful with a 3-head tape machine to monitor the "off-tape" signal. Operating the monitor button during recording allows the output from the tape machine connected to input 4 to be heard, unless input 4 is chosen on the input selector switch, i. e. for tape to tape recording, in which case the output of the tape machine connected to input 5 will be heard. With the mute button selected there will be no output to the loudspeakers, from any input. This will not affect any recordings taking place at the same time.
remote control
For operation of the nac 102 with the NARCOM 2 remote handset please see pages 18 and 19. Note: As there is no mono facility available on the nac102, the "mono" facility on the remote handset operates the tape monitor circuit.
bnc plugs
For notes on wiring bnc plugs please see page 7.
12
nac 102 front
inputs 1 2 3 4 5 6
mute volume balance monitor
nac 102 rear
outputs high level inputs phono input 1b
6
5
4
3
2
1a
napsc (optional)
ch 1 left
ch 2 right phono ground inputs 3, 2 & 1a
inputs 6, 5 & 4
ch1 ch2 -ve
ch1 ch 2
ch1 ch 2 -ve
nc nc
Specifications
nac 102
Line input sensitivities Phono input options Moving Magnet N Moving Coil S Moving Coil K Moving Coil E Overload margin (all inputs, all audio frequencies) Main output level Tape output level Case size (H x W x D) 75mV, 100k 2mV, 47k 100µV, 470 100µV, 560 400µV, 560 40dB 0. 775V, <50 75mV, 600 76 x 430 x 300mm
13
nac 102 connection to one power amplifier with internal power supply
link plugs fitted
napsc (optional)
to nap 140, 150, & 180 power amplifiers
nac 102 connection to hi-cap (or flatcap 2)
link plugs removed
napsc (optional)
to nap 140, 150, 180 & 250 power amplifiers to nap 135 & 500 power amplifiers
mains input
note
When using a hi-cap without the optional napsc, the large link plug must be fitted.
cable direction marker
Interconnect Cables
4 to 4 pin DIN 5 to 5 pin DIN
14
nac 112 operation
power supplies
The nac 112 does not incorporate an internal power supply. It must be used in conjunction with either a naim power amplifier incorporating a preamp power supply or with a supercap, hi-cap or flatcap 2 power supply.
inputs
The nac 112 has 6 inputs - cd, tuner, tape, A/V, aux 1 and aux 2. [. . . ] To access automatic source switching enter program mode as described above. The mon button on the amplifier will illuminate when source switching is automated. To utilise the surround sound processor unity gain function, enter program mode as described above. The mute button on the amplifier will illuminate when unity gain is selected. [. . . ]
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