User manual LINE 6 LOW DOWN

[. . . ] Pilot's Guide Manuel de pilotage Pilotenhandbuch Pilotenhandboek Manual del Piloto 40-00-0300 Electrophonic Limited Edition available @ www. line6. com Rev F All product names referred to in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development. You should read these Important Safety Instructions. Keep these instructions in a safe place. · · · · · · · · · · · · · · · · · · Read these instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. [. . . ] Before you position your amp in your rehearsal space or venue, consider a couple of things: · Getting closer to a wall will increase the amount of perceived low end from your amp, and for an added bonus, get in a corner for even more pronounced low end. (Or move away from the walls if your tone is too boomy!) · What sounds like great tone on stage doesn't always translate to the audience in the rest of the room. After you set up and get your tone, it is a good idea to walk 20 feet out into the room, if your cord will allow, and listen to what your amp sounds like. Adjust your tone to achieve the compromise of what you need to hear on stage, and what sounds good in the room. Happiness will abound! · If you purchased the LowDown 150 with the 12" speaker and kick back design, note that the perceived tone will be change when the amp is tilted back. When you tilt it back and use it as your monitor you lose a bit of low end but gain volume and clarity. If you are in the garage jamming with friends or a medium size club you may want to keep the amp in an upright position to fill the room with your sound. Amp Model Details Just as a great artist has many colors to paint with, you to will be able to paint your music in many colors, thanks to the wide range of tone available in the LowDown. R&B This Amp Model is a tribute to those late 60's and early 70's clean fat bass tones. It is the kind of tone you here on most Motown recordings, as played by a pioneering young James Jamerson. Rock This sound was crafted during our studies of the '74 Ampeg SVT. This workhorse has appeared on innumerable recordings and arena stages worldwide. And now all the tone of the 300 lbs behemoth 8X10 and head is available in your versatile, reliable and much lighter head or combo!The Super Bass covers the kind of overdriven bass sound brought to us by late `60's British rock pioneers such as Cream and The Who as well as `70's giants Yes and Rush. All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Line 6's sound model development. MARSHALL is a trademark of Marshall Amplification Plc. Grind As the name would suggest, this is for you modern rock lovers, Alice in Chains, Mudvayne and Rage against the Machine. This model is based on a distorted SansAmp PSA-1 into an SVT with direct clean bass signal mixed in for that angry, clear and punchy aggression that takes your sound to DEFCON 1. They all incorporate Synth Bass into their music and now you can too with this synth that we based on the classic synths of the 70's. See the following page for a breakdown on Synth controls. About the Synth: Selecting the Synth re-works the amp controls to give you Analog Synth control over the Bass Synth. Resonance (Low Mid) As you turn this knob clockwise you bring in resonance, think laser sounds. The Filter Envelope is triggered every time you play a new and clear note. The Envelope amount controls how much the filter will open each time you play a note. Start with this control at 9 o'clock for typical Synth bass sounds. Waveform (Opto Comp) A number of Waveforms are offered on this knob: OPTO COMP WAVEFORM The waveforms are split into 2 parts. [. . . ] FBV Pedal: Press the pedal forward to click the toe-switch, turning the pedal from Volume to Wah. You can use it as a wah that sounds like a foot controlled envelope filter or park it at a desired sound for some Sub Dub sounds. Wah and Volume Lights: These light to show that a pedal is ready to control Wah or Volume. Using your FBV Express Tuner FLAT IN TUNE SHARP UNTIL DISPLAY SHOWS PRESS & HOLD NOTE FLAT DONE TUNING?PRESS ANY OF THE A, B, C OR D FOOTSWITCHES All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. [. . . ]