User manual CANON MP49DII BROCHURE

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Manual abstract: user guide CANON MP49DIIBROCHURE

Detailed instructions for use are in the User's Guide.

[. . . ] It renders exceptionally accurate black levels and reproduces outstanding details in shadowed regions of a scene. It accurately portrays the full dynamic range of contemporary digital cinematography cameras and encompasses the wide DCI-P3 color gamut. Wide Viewing Angle Collaborative working in post-production can entail a number of creative professionals viewing a single reference display, so it is important that all see precisely the same imaging attributes. By featuring an IPS LCD panel with unique polarizing and filtering film layers to help prevent changes in color and contrast, the MP49DII 4K Reference Display enables image viewing within a wide viewing angle, top to bottom and left to right. Such technology helps minimize color and contrast shifts when viewing images at oblique angles, allowing multiple users to review image quality simultaneously. Upscaling 2K/HD Content for 4K Portrayal Super 35mm single-sensor digital cinematography cameras such as the Canon EOS C500 can originate HD or 2K video of outstanding image quality. [. . . ] Such technology helps minimize color and contrast shifts when viewing images at oblique angles, allowing multiple users to review image quality simultaneously. Upscaling 2K/HD Content for 4K Portrayal Super 35mm single-sensor digital cinematography cameras such as the Canon EOS C500 can originate HD or 2K video of outstanding image quality. The unique parallel readout of the 4K image sensor in the EOS C500 helps avoid any debayering process and helps create pristine 2K/HD R:G:B 4:4:4 12-bit video at frame rates up to 60P. There are not many studio reference displays that can do justice to evaluating such HD/2K imagery. The MP49DII can directly accept 12-bit RGB 2K/HD video (up to 30P) or 10-bit YCbCr (up to 60P) and internally upscale this for portrayal within the 4K sampling structure. Such upscaling faithfully reproduces the picture sharpness of the original 2K/HD source. Additionally, the associated removal of visible lines and pixels facilitates closer scrutiny of the video for critical evaluation of many other key picture attributes such as color, brightness and contrast detail. The MP49DII is equipped with three types of screen scaling functions, including the new Canon Shape Tracing technology – an original shape-tracing technology that helps to ensure images scaled on the MP49DII will be devoid of scaling artifacts. Using the Canon Shape Tracing technology, the MP49DII detects the angles of hard edges and selects an appropriate interpolation to help provide smooth diagonal lines and optimal image rendering, further extending the display’s application during location/studio shoots and within color-grading, DI, CGI, VFX and other post-production workflows. *Does not contain all RGB chromaticity points. Wide Color Gamut Display It Starts with Black Levels The technical baseline for a reference display is how well it reproduces a deep and accurate black level. Portrayal of a high contrast ratio is critically dependent upon this precision black level reference. Canon mobilized a number of technologies – within the display itself and in the digital image processing system – to help ensure superb black reproduction. y 0. 9 0. 8 520 530 510 550 Adobe RGB MP49DII Native* DCI-P3 ITU-R BT. 709 SMPTE-C EBU 0. 7 0. 6 500 0. 5 DCI Compliant Color Wide Gamut for Rich Colors – The MP49DII 4K Reference Display features a Canon-designed RGB LED backlight system and IPS LCD panel that reproduce a rich array of colors. Control buttons are grouped into zones for easy operation, with rotary dials for intuitive operational adjustment of certain image parameters. The inclusion of multiple interfaces helps ensure that the MP49DII offers the type of flexibility operators need within a variety of production and post-production workflows. TO MEET THE NEEDS OF THE WORKING PROFESSIONAL Digital 4K has significantly raised the bar in the overall level of imagery sought by creative professionals who invest time, energy and their extensive experiences to achieve superb images. Canon listened closely to the recommendations of diverse practitioners in high-end motion picture and television production for the performance, functionality, and interface required in a 4K reference display, creating the MP49DII 4K Reference Display which will help empower them to meet their creative aspirations. Its unique 10-bit 4K display panel, in combination with a powerful high bit depth digital processing engine, has been optimized to present the very best in 4K imagery. To accommodate a wide range of contemporary motion picture and video workflows in post-production and on set, the MP49DII features ACESproxy support, 1D/3D LUT import support, ASC-CDL format color correction and built-in Canon Log viewing LUTs, while multiple inputs (3G/HD-SDI and DisplayPort) provide direct connection to digital camera systems, recorders, graphic workstations and PCs. Signal Input Formats Between the two variants in 4K and the ability to upscale either 2K or HD, and further compounded with many frame rates, there is a broad choice in signal inputs to the MP49DII. All of the signal interfaces are in full conformance with established SMPTE Standards for serial digital inputs. ACESproxy Workflow – 4K* Pro Display Functionality The MP49DII 4K Reference Display also supports a variety of key operational functions for cinematographers, DITs, videographers and colorists, including: • Markers • Test Pattern • Time Code • Color Range • I/P Conversion • PsF • Monochrome • Blue-Only • Red/Green/Blue OFF • H Delay/V Delay • Export/Import Settings On Set ACESproxy The MP49DII 4K Reference Display can be used with any source input that complies with ACESproxy (Academy Color Encoding System, proxy encoding). The EOS C500 4K Digital Cinema Camera is capable of outputting an ACESproxy signal that can be directly connected to the MP49DII through the camera’s HD-SDI monitor terminal†. The MP49DII includes a Display Controller where the Director and DP can make on-set color decisions that can be stored on a flash drive in the industry standard ASC-CDL (American Society of Cinematographers – Color Decision List). This ASC-CDL can then be used in dailies, editorial and finishing, so that the creative intent of the Director and DP can be preserved from set to output. † EOS C500 may require firmware update. RRT ODT ACESproxy 4K Origination RAW ASC CDL MP49DII Signal Input Formats DI Almost Exact Color Match Signal Input Interfaces Signal Format 4096 x 2160 1D/3D LUT Import Support The MP49DII supports direct importing of both 1D and 3D Look-up Tables (LUTs) for accurate and consistent color matching between individual displays, as well as using customized “looks” that have been created by third-party color-grading applications. [. . . ] The MP49DII includes a Display Controller where the Director and DP can make on-set color decisions that can be stored on a flash drive in the industry standard ASC-CDL (American Society of Cinematographers – Color Decision List). This ASC-CDL can then be used in dailies, editorial and finishing, so that the creative intent of the Director and DP can be preserved from set to output. † EOS C500 may require firmware update. RRT ODT ACESproxy 4K Origination RAW ASC CDL MP49DII Signal Input Formats DI Almost Exact Color Match Signal Input Interfaces Signal Format 4096 x 2160 1D/3D LUT Import Support The MP49DII supports direct importing of both 1D and 3D Look-up Tables (LUTs) for accurate and consistent color matching between individual displays, as well as using customized “looks” that have been created by third-party color-grading applications. (645. 1 x 403. 2mm) 157. 5µm 1024 gradations (10-bit for each RGB color) 48 cd/m2 (DCI), 100 cd/m2 89° (contrast ratio 10:1 or higher) Low-Reflection Glare RGB LED, direct down type Rated Voltage: 100–240V AC / Rated Frequency: 50/60 Hz At maximum load (including change in brightness through aging): Approximately 370 W At factory shipment: Approximately 130 W Environmental Conditions Operating Temperature and humidity: 41–95°F (5–35°C) / 20–80% RH (no condensation) [Recommended: 59–86°F (15–30°C)] / Pressure: 700–1060 hPa Storage/Transporting Temperature and humidity: -4–104°F (-20–40˚C) / 10–85% RH (no condensation) 105–140°F (41–60˚C) / 10–40% RH (no condensation) / Pressure: 700–1060 hPa Dimensions (W x H x D) Approximately 27. 9 x 18. 7 x 7. 4 in. [. . . ]

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